The music of Iran has thousands of years of history dating back to the Neolithic age, as seen in the archeological evidence of Elam, one of the earliest world civilizations, which was located in southwestern Iran.
The modal concepts in Iranian folk music are directly linked with that of the classical music. However, improvisation plays a minor role as folk tunes are characterized by relatively clear-cut melodic and rhythmic properties. The function of each folk melody determines its mood.
The varying aesthetic requirements of wedding songs, lullabies, love songs, harvest songs, dance pieces, etc., are met with transparent and appropriate simplicity. The majority of the classical instruments are too elaborate and difficult for the folk musicians. Instead, there are literally dozens of musical instruments of various sorts found among the rural people. In fact, each region of the country can boast instruments peculiar to itself.
Iran is home to several ethnic groups, including Kurdish, Azerbaijanis, Bakhtiari and Baluchi peoples.
Turkmen epic poets similar to Central Asian musicians are common in Khorasan, while Kurdish music is known for its double-reed duduk and an earthy, dance-oriented sound. The most famous personalities in Iranian folk music are Pari Zangeneh , Sima Bina , Kamkars group , etc. Most of Iranian folklore singers are woman.
YEP. Iranian women can be singer and sing inside Iran too. But they’re only allowed to have concerts for women. Otherwise, they can be member of singing groups. I personaly was a member of choir/soprano singers during High school and University.
Anyway i’ll discuss various types of Iranian music more in the future. Here i add some various kinds of Iranian folk music and dance (Video) from different heritages.

This blog offers a glimpse into the life of an Iranian woman and her honest view on world affairs and issues which concerns her country, Iran. 





